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Also included in the course is writing a treatment and logline, developing plot lines, screenplay format, creating believable characters with complete narrative arcs and writing effective dialogue that serves the needs of the character. Topics include mic placement, mic pick-up patterns and pitfalls to avoid while recording on set. Scenario: Shooting script, lined script, shot lists, floor plan, shooting schedule and visual reference guide.
They apply the lessons learned through editing the first two projects as they utilize the many transition tools, special effects, and sound design options that digital editing allows. Demonstrate a basic understanding of the components of designing a shot, create and direct the dramatic beats in a script. Screenwriting The Screenwriting portion of the course adheres to the philosophy that good directing cannot occur without a well-written script.
Also included in the course is writing a treatment and logline, developing plot lines, screenplay format, and creating believable characters with complete narrative arcs. Sound Design This film course introduces the student to the world of sound design, detailing the process of sound design by providing concepts, technical information, and examples of how sound is used in cinema.
Minimum system requirements for macOS macOS Prerequisites - Because all short-term Filmmaking workshops start at the introductory level no prerequisites are required nor any prior experience expected. Editing broken down into 2 subclasses: Theory of Editing and Working with DaVinci Resolve Screenwriting The Screenwriting portion of the course adheres to the philosophy that good directing cannot occur without a well-written script. In one short week, students are instructed in the basics of writing, directing, cinematography and digital editing.
Each student writes, directs, shoots, and edits a short film project. The pace of this 1-Week course is feverish, and students must be prepared to live and breathe filmmaking for the duration of the workshop. The 1-Week workshop was designed to serve the needs of a variety of students, yet through online classes and exercises, all students gain an understanding of the requirements and rigors of filmmaking, as well as experience the exhilaration of seeing a completed project.
For some, the workshop is an opportunity to see if filmmaking is the appropriate craft for them. All students enrolling in the 1-Week Online Filmmaking workshop should be aware that this is an introductory course. The limitations of a one-week course should be apparent, given that many people spend years studying film and perfecting their craft.
While the 1-Week Online Filmmaking workshop is not meant to be a substitute for longer-term programs, many students have made excellent projects. Program and Software Requirements To complete the assigned project, the student will edit using DaVinci Resolve, which can be downloaded free of charge.
Students will also need a camera capable of recording video, in this course a mobile device will suffice. Editing is broken down into 2 subclasses: Intro to Editing and Open Edit. Check, the second session, tasks the students with pitching their story ideas to their instructor and classmates for the purpose of receiving feedback on the concept and feasibility of shooting the story given the time allotted and resources available. Screenwriting is broken down into 2 subclasses: Intro to Story and Story Check.
This workshop is focused on understanding the basic principles of cinematography with a combination of online lectures, analysis of the history of cinematography, camera and basic lighting technology and techniques, including an introduction to editing and color correction using Davinci Resolve. The students will test what they learn during the online lectures with 3 exercises that are designed to be realized even in isolation, if required by local health conditions, using a digital camera of their own possession, including a cell phone if nothing else is available.
We suggest, but not require, apps like Filmic Pro to be able to control manually the functions of the video camera of the phone. History of Cinematography This class analyzes the evolution of cinematography along the history of cinema, pointing out trends and historically relevant turning points in style film noir, the introduction of color, etc. Each student will choose 6 movies from this list to watch and analyze.
Camera This class will introduce the basic characteristics in a digital camera and the main settings, common to most digital cameras, using a Sony FS5 as example. Advanced digital cinema cameras will be introduced using a Red Dragon as an example. The course will also provide an excursus on the evolution of Digital Cinema. Lighting and Grip Lighting and Grip class will present lighting principles and examples via live demonstrations of how to create basic lighting setups.
During Guerrilla Lighting students will be introduced to examples of lights that are of easy build using common materials. Editing This class will introduce digital editing capacities of Davinci Resolve, allowing the students to receive a basic editing training, and also will guide the students to understand the basic principles of color correction and postproduction.
Production Lab This class will guide the students on producing and developing their 3 personal projects within the respect of social distancing and isolation rules. During the online course they will create a Composition, a Continuity and a Montage project, each one of them following a different set of rules and instructions. Screen and Review This class provides feedback to the students on their personal projects and analyzes their choices and approaches. Continuity: The student will create a small scene, within the space safely accessible to them, in which they will use different framing, angles of view and available or artificial light to build the narrative.
The project focuses less on the narrative aspect of filmmaking and more on the capacity of cinematography to deliver a subtext of significance to otherwise unrelated images. Class Details Close. The students will test what they learn during the online lectures with 3 exercises that are designed to be realized using a digital camera of their own possession, including a cell phone if nothing else is available.
Projects are: Composition: As directed during the Production Lab prep class the students will create a series of shots to practice and test the knowledge of composition and the technical elements of cinematography focus, exposure, color, basic camera movements. Continuity: The student will create a small scene, within a space that is safely accessible to them, in which they will use different framing, angles of view and available or self-made light to build the narrative.
History of Cinematography History of Cinematography analyzes the evolution of cinematography along the history of cinema, pointing out trends and historically relevant turning points in style film noir, the introduction of color, etc. A list of films, easy to find online, will be distributed to the student for watching on their own time.
Camera This will introduce the basic characteristics in a digital camera and the main settings, common to most digital cameras, using a Sony FS5 as an example. It will also introduce advanced digital cameras, using a Red Dragon as example, to present the differences in quality and structure of modern Digital Cinema Cameras.
Lighting and Grip Lighting and Grip class will present basic lighting principles and examples via live demonstrations of how to create basic lighting setups and to control the light using flags and other grip elements. Editing This class will introduce digital editing capacities of Davinci Resolve, allowing the students to receive a basic editing training, and also will guide the students to understand the basic principles of color correction and post production.
Production Lab This will guide the students on producing and developing their 3 personal projects within the respect of social distancing and isolation rules. During the online course they will create a Composition, a Mise En Scene and a Montage project, each one of them following a different set of rules and instructions. Screen and Review This class provides feedback to the students on their personal projects and analyze their choices and approaches.
This Week Online Digital Photography Workshop is an intensive exploration of photography in the digital age. Photo Arts Conservatory students are immersed in the art and craft of still photography, are introduced to the tools necessary to capture great images, and learn to refine them through digital imaging. Photography students at New York Film Academy develop the skills necessary to research, compose, and capture digital photographic projects in hands-on courses. Students are encouraged to be creative, and are taught to think of each project as a concise statement of artistic and aesthetic intent.
They expand their repertoire of techniques as they explore practical sources of light and shadow. No prior experience is required to enroll in the Week Digital Photography Workshop. Please note: All students are required to bring a digital camera with manual exposure controls.
This is done through the use of both Adobe Lightroom and Adobe Photoshop. This culminates in a final critique of either personal or commercial work. History of Photography Students study and analyze masterful photographers, not only by analyzing their distinct techniques, aesthetics, and approaches, but also by literally re-creating their images with precise attention to composition, lighting, gesture, format, and palette.
Following this photography class, students are able to select the best methods by which to realize their own unique vision. The course will cover Adobe Lightroom classic, camera operations, elements of exposure, the history of photography through , and a deep dive into the creation of personal projects. Students learn the mechanics of cameras and lenses as well as the components of exposure.
Students are taught to be aware of the unique characteristics that light can take: direct, diffused, reflected, and tempered by atmosphere. Every technique is practiced through individual assignments, which are critiqued by faculty and peers. Emphasis is placed on: developIng practical technical skills at handling modern digital SLR cameras and the ability to produce accurate exposures under a range of real-world conditions, developing a working ability to recognize and create dramatic exposures using natural light, and understanding the practical application of the components of exposure sensitivity, aperture, shutter speed under a wide variety of real-world shooting conditions.
Once immersed in Adobe Lightroom Classic, students acquire key digital darkroom techniques from nondestructive editing to unparalleled color and tonal control over an image. Students also learn the entire process of digital workflow, from RAW processing through output for advanced editing and web pages.
Along with lectures and demonstrations, Imaging I allows for students to practice and perfect their image-editing skills. Vision and Style This course teaches students critical thinking skills, the visual language of photography, and pushes them to explore their personal interests in photography as they conceptualize, execute, refine, and critique. Students define and develop a personal, iconic visual style and specific area of interest, studying master bodies of work across many photographic genres.
The primary focus is still photography. Students become familiar with principles of composition, color, editing, sequencing, and presentation through writing, journaling, research and photographic assignments. Students gain the level of self-awareness necessary to understand the most important origins of their ideas, and start to conceive how their work fits into the context of current photography practices and attitudes. History of Photography Intensive study, analysis, and critique of the work of master photographers, their techniques, aesthetics and approaches helps to equip students to choose the most effective means of realizing their own projects.
In this course, the history of photography is studied from its beginning through to Discussion topics include composition, traditional and non-conventional framing, color theory, design, semiotics signs and symbols , the effect of technological changes on photography, the use and limitations of photography as a documentary and personal record, and the surprisingly long history of using viewer assumptions to distort the truth.
The course will give you an overview of the history of fashion photography as well as provide a working knowledge of current trends in clothing, hair, make-up, styling, working with a model, and producing a fashion shoot. Working models, make up artists, producers, magazine editors, and wardrobe stylists will join us in class to discuss their role on set and give you insight into the fashion industry.
There are 4 components to this workshop Fashion lecture, Fashion production, meeting with industry professionals, and class critique.
Program Schedule: 2 Week program 10 classes per week 1. Show an understanding of the roles within a creative team. Learn to identify and begin to become articulate in contemporary trends in: clothing, styling, models, hair and make-up. Identify and begin to articulate the details necessary to create a fashion photograph that meets industry standards.
Start to develop a visual style and personal point of view. Self organize within collaborative teams Students will need a computer and a digital camera dSLR, mirrorless, or medium format Apply Now. Workshop Description This Online Workshop gives students a comprehensive overview of the entire producing process for film and television process.
There are no prerequisites for this Workshop. Line Producing Students learn about the physical aspects of production: scheduling and budgeting, crew descriptions, paperwork and reporting mechanisms permits, call sheets, production reports , pay rates, working with unions, insurance guidelines, and more. Students are instructed in the use of Movie Magic Scheduling and Budgeting software.
Pitching An essential producing skill, students learn the appropriate pitching techniques for a variety of meetings and settings. Each student will practice and gain critical and fundamental pitching skills, including writing effective loglines, identifying the audience, and perfecting the pitch. Story and Screenwriting Producers play a key role in the development of scripts.
Students will gain firsthand knowledge of fundamental screenwriting elements such as: structure, conflict, character, premise, plot, and thematic point of view.
They will gain insight into working with writers, story analysis, and overall management of the development process. Film Finance This course focuses on successful strategies employed in the finance of studio and independent films.
Topics include: equity investment, sales agents, foreign territories, pre—sales, gap financing, production incentives, subsidies and government funds, as well as the revenue waterfall, i. TV Industry Overview An introduction to the way television is developed, produced and sold. Film Festivals are expanding as the technology explodes in the digital universe. Topics include festival selection, social media campaigns, case study of a specific film to examine the process of working the festival circuit, and achieving potential distribution deals.
Case Studies This course will use specific in-depth examples of an already produced project to introduce students to the specific issues, problems, and solutions of the development, financing, pre-production, production, post production, distribution, and exhibition of studio and independent films.
This course will provide the student with enough knowledge to deal with basic production camera and lighting issues.
Intro to Sound An overview of production sound recording: to understand the importance of sound, to learn to record sound in different environments, to learn to assemble and troubleshoot the sound recording equipment. Intro to Editing Students will learn the fundamentals of editing. This course will provide the student with enough knowledge to deal with simple editorial production issues.
Directing for Producers Understanding the role of the Director helps a Producer run a set. Graduates of the program will gain practical and pragmatic skills, tools, and knowledge, enabling them to develop and hone their creative skills. During the course, you will be provided with a student discount code to purchase the software directly through the software company's website.
Students will own this software even after the course is completed. Entertainment Law This course is an overview of contract law and how it impacts the entertainment industry. Film Crafts Producers must have a fundamental understanding of the various crafts involved in the filmmaking process. Intro to Sound This is an overview of production sound recording: to understand the importance of sound, to learn to record sound in different environments, to learn to assemble and troubleshoot the sound recording equipment.
Intro to Editing Students will learn the fundamentals of editing using Avid software. In this workshop, participants learn all aspects of production management in a virtual hands-on setting. Central to the course is Movie Magic Scheduling and Budgeting software. Workshop Schedule: The workshop is offered on the weekend, both Saturday and Sunday. There are two classes each day: 10 a.
Next workshop dates: Jun 18, - Jun 19, Sep 17, - Sep 18, Dec 3, - Dec 4, Additional cost: There will be an additional approx. All the key elements of production management for film, television, and new media projects are included. Participants will use the latest editions of industry standard Movie Magic Scheduling and Movie Magic Budgeting software to create their own film budget and strip board schedule. Workshop instruction begins with a full description of the job requirements and responsibilities of a Line Producer.
Covered topics include script breakdowns, creation of strip board schedules utilizing Movie Magic Scheduling software, and Production Focus and Analysis. Participants will then create a budget using Movie Magic Budgeting software. During this process they will gain an understanding of the following facets of Line Producing: Units of pay Fringe benefits The role of contingency The importance of the top sheet Additional instruction will include the creation of call sheets, production reports, time cards as well as how to properly handle insurance, overtime, set operations, crew hiring, union and vendor interaction, and the importance of tax credits and production incentives.
Whether learning these skills for the first time or seeking to brush up on the latest software and production management techniques, this workshop will equip participants with the tools and knowledge to help line producers pursue their passion. The Students in the 15 Week Workshop learn the fundamental aspects of narrative documentary filmmaking and are introduced to the arena of digital social media micro docs.
Through a series of lectures, in-class screenings, and practicum assignments, award-winning filmmakers shepherd students through the production of three 3 original minute documentaries which can be made traditionally or as social media micro docs.
Production and post-production of all films can be accomplished using a home computer and a smartphone. As each film is completed, students screen their work with their classmates and instructors and engage in feedback sessions and discussion. There are no prerequisites for this workshop. Through a series of lectures, in-class screenings, and practicum assignments, award-winning filmmakers shepherd students through the production of three 3 original minute documentary films, which can be made traditionally or as social media micro docs.
This Week workshop follows the same curriculum as the 4-week workshops but is spread over fifteen weeks. This workshop gives students all the necessary skills to edit with Adobe Premiere Pro.
Students are also taught multiple theoretical editing approaches. Over the course of the workshop, students are provided footage to edit 4 varying types of projects. Students will edit: a Montage, a short Documentary, and a Dialogue project.
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Write your own application to automate HyperDeck operation as well as how to connect to a HyperDeck and upload files and more! Sample code linked below. Learn the basics of the Videohub router control protocol, including how to get started with your own control application! Log In. New Zealand. South Africa. Chinese Taipei. United Kingdom. United States. Developer Community Visit our developer forum.
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Magix Video Pro X is an NLE that has recently been making a name for itself due to its consistency and welcoming attitude towards amateur video editors. This tool is versatile and can deal with a wide range of situations head-on with no issue whatsoever. Professional video editing software may use lots of resources.
To get the full experience of professional video editing, your computer would be better to equipped higher than meeting the mini requirements. If you have limited video editing experience and want to become a professional video editor, it is recommended to spend time in editing and take some training or course to master it. Or, you can attain online courses on Udemy or Lynda.
If you want to convince people that you are a professional video editor, it is recommended to take some certifications. As you may know that Adobe and Apple both provide official certification exams. A certification will be more convincing when people doubt your editing skills. If you are reading this line, you can ask yourself a question ' what intrigues me to choose a pro video editor? It is because you see other professional YouTuber using them?
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Many people ask what software professional video editors use. The truth is for professional editors use various tools to improve video editing efficiency. For audio editing, they use Adobe Audition. For color grading, many people choose Final Cut Pro. For video editing workflow, they also use Premiere Pro and Lightworks. March Archived from the original on June 6, Retrieved January 13, Emulator Archive. February 25, Archived from the original on February 25, August Retrieved June 20, Retrieved January 7, November Retrieved January 12, Music Technology.
Production Expert. The New York Times. ISSN Retrieved February 7, Archived from the original on June 7, Retrieved February 6, Retrieved February 3, Mix Magazine. Archived from the original on June 4, Retrieved February 4, September 15, December Archived from the original on June 9, Retrieved January 31, Digidesign, Inc.
Retrieved October 23, December 15, Retrieved January 4, Pro Tools Main Windows. Clip Gain and Clip Effects. Time, Tempo, Meter, Key, and Chords. Editing Clips and Selections.
Elastic Audio. AudioSuite Processing. MIDI Editors. Score Editor. MIDI Editing. Working with Video in Pro Tools. Pro Tools Setup for Surround. Basic Mixing. Committing, Freezing, and Bouncing Tracks. Track Presets. Track Collaboration. Working with Field Recorders in Pro Tools. Satellite Link. Pro Tools Video Satellite. Working with Synchronization. Retrieved December 12, Pro Tools Systems.
Pro Tools". Retrieved January 28, Retrieved November 11, July September 16, Retrieved August 26, Retrieved April 12,
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